Books
The Contemporary Guitar. Berkeley: University of California Press, 1985; 237 pages + 2 soundpages.
The Contemporary Guitar. Revised & Enlarged Edition. Rowman & Littlefield, 2015: 364 pages + 98 audio examples.
Behind The ‘Scenes’. Los Angeles, MicroFest Records, 2006. (forthcoming 2016)
Compositions
String Trio (1974)
Voyage (1976) Electric Guitar & Tape
Recorded: J.S., Sonic Voyage El Maestro LP 8804, 1981
TBA for solo Bass Instrument (1976). Birmingham (UK): Arts Lab Press, 1980.
Lament (1981) for solo guitar fretted in Pythagorean 
Tuning (Bb–D#)
Recorded: JS, Just Guitars, Bridge Records 9041, 2003
Rondo Fugato (1986) for solo guitar fretted
in Well Temperament
Prelude & Fugato (1986) = Lament + Rondo Fugato
Recorded: Lily Afshar, Hemispheres Archer Records ARR-31926, 2006
On Listening to Lu Tzu (2002), voice + Partch Adapted Guitar II
Other Minds Festival 14 Concert 3 (scroll down to Part 3)
Tombeau for Lou Harrison (2006) for National ‘Harmonic’ Guitar Score Youtube video
Men are Men & Mountains are Mountains (2007), solo electric guitar (preferred)
WNYC's New Sounds, 10/27/2011
Editions
Lou Harrison, Serenade for Guitar & Percussion. New York: Peer International, 1981.
Lou Harrison, Por Gitaro: Works for Solo Guitar. New York: Peermusic, 2003.
Lou Harrison, Ditone Set. New York: Peermusic, 2004.
Lou Harrison, Scenes from Nek Chand. Lebanon: Frog Peak Music, 2005.
James Tenney, Harmonium 2. Baltimore: Smith Publications, 2008.
Articles
“Magnus Andersson: Extreme Guitarist—Part 1,” Soundboard, Vol. 41, No.4 (2016)
“Magnus Andersson: Extreme Guitarist—Part 2,” Soundboard, Vol. 42, No.1 (2016)
“The Microtonal Guitars of Harry Partch,” Soundboard Scholar #1, (2015).
“Tampering with Nature: Playing in Unequal Temperaments,“ & “Pure Magic: Composing & Performing in Just Intonation,” 1001 Microtones (ed. Sarvenaz, S. & Stahnke, M.). Neumünster: Bockel-Verlag, 2014.
“Partch’s Guitars,” Soundboard Scholar, (forthcoming 2015)
“Partch: Re-Genesis of a Music,”
Kongressbericht “Mikrotonalität: Praxis & Utopie,” Stuttgart 2011. Mainz: Schott Verlag, 2014.
“Organ Transplants: Recreating Partch’s Chromelodeons,” Reed Organ Society Quarterly 2012, Vol. XXXI, No. 2.
“Adam del Monte: Classical Duende,” Soundboard, Vol. XXXVII, No.3, (2011)
“Tim Brady: Electric,” Soundboard Vol XXXVI, No.3 (2010); pp. 71–76.
“Ben Johnston at Eighty,” Schneider, J. (ed.). 1/1: The Journal of the Just Intonation Network 12, no. 3 (2007).
“The Persian Passion of Lily Afshar,” Classical Guitar [UK]. Vol. 23, No.7 (March, 2005); pp. 16–19.
“Just Lou Harrison,” Guitar Review #128, (New York,2004), pp.13–23.
“Just Guitar,”
Guitart International #6, April/June 2004; pp.42–50.
“Lou Harrison’s Guitars,” Classical Guitar [UK]. Vol. 21, No.10 (June, 2003); pp. 20–23.
“Radio Soundboard (1978–1997),” Soundboard Magazine,Volume XXVI, 1999 No.2
“Adam del Monte: Duende in Bach and Albeniz,” Soundboard, Vol. XXV, No.4 (1997)
“Fine Tuning,” ACOUSTIC GUITAR. May/June, No.24 (1994); pp. 30–38.
“Bringing Back Barstow,” GUITAR REVIEW. No.95 (Winter 1993); pp. 1–14.
“A History of the JUST GUITAR,” 1/1. Vol. VII, No.3 (1992); pp. 11–15.
“David Starobin at Forty,” GUITAR REVIEW No. 90, Summer 1992: pp.18–22.
“TOD MACHOVER: Hypercomposer,” GUITAR REVIEW No. 86, Summer 1991.
“The Divine Giuliani,” Gendai Guitar [Tokyo] Winter 1990.
“The Divine Giuliani,” Soundboard. Vol. XVI, No.3 (1989); pp. 38–48.
“Pierre Boulez: a conversation,” GUITAR REVIEW No. 75, 1988: pp.28–31.
“Peter Maxwell Davies: a conversation,” GUITAR REVIEW No. 64, 1985.
“Alois Hába,” Soundboard. Vol. XII, No.2 (1985); pp. 154–158.
“Julian Carrillo,” Soundboard. Vol. XII, No.1 (1985); pp. 36–39.
“Igor Stravinsky,” Soundboard. Vol. XI, No.2 (1984); pp. 152–157.
“SOUNDBOARD ON THE AIR,” Soundboard. Vol. XI, No.1 (1984); pp. 36–39.
“The Guitar Works of Ned Rorem,” Soundboard. Vol. XI, No.1 (1984); pp. 28–32.
“Where do you find the Music?,” Soundboard. Vol. X, No.4 (1983); pp. 376–79.
“Harry Partch,” Soundboard. Vol. X, No.3 (1983); pp. 260–264.
“Bruno Bartolozzi,” Soundboard. Vol. X, No.2 (1983); pp. 138–41.
“Peter Maxwell Davies,” Soundboard. Vol. X, No.1 (1983); pp. 43–45.
“Guitar & Tape: New Horizons,” ASTA National Guitar Symposium 1981. New Jersey: American String Teacher's Ass. 1982.
“The Microtonal Guitar,” [Parts I–V] Guitar & Lute : Nos. 10 –24, (1981–82).
“A Conversation with Ernst Krenek,” Soundboard. Vol. VIII, No.4 (1981); pp. 262–65.
“Toru Takemitsu,” Soundboard. Vol. VIII, No.3 (1981); pp. 169–71.
“Goffredo Petrassi,” Soundboard. Vol. VIII, No.2 (1981); pp. 92–94.
“Hans Werner Henze,” Soundboard. Vol. VII, No.4 (1980); pp. 173–77.
“20th Century Guitar Music,” Soundboard. Vol. VII, No.4 (1980); pp. 175–76.
“Pierre Boulez,” Soundboard. Vol. VII, No.3 (1980); pp. 126–7.
“20th Century Guitar: The 2nd Golden Age,” Guitar & Lute : Nos. 10 & 12, (1979–1980).
“The Contemporary Guitar,” Soundboard. Vol. VII, No.2 (1980); p.69.
“Conversation with Julian Bream,” Soundboard Vol. VII, No.1(1979); pp.108–111.
“The Well–Tempered Guitar,” Soundboard Vol. V, No.4 (1978); pp.108–111.
“The Rational Method of Tone Production,” ASTA National Guitar Symposium 1977. New Jersey: American String Teacher's Ass. 1978.
“New Instruments Through Frequency Division,” Contact. [London] No.15 (1976).
Reviews
“Sonata No.2 : Dusan Bogdonavic,” Notes , Fall 1985.
“Editions Orphée & Chanterelle: A Feature Review” Soundboard. Vol. IX, No.1 (1982); pp. 70–72.
“Complete Works for Guitar by Fernando Sor,” Soundboard. Vol. XII, No.3 (1985); p. 333.
“Complete Works for Guitar by Giulio Regondi,” Soundboard. Vol. IX, No.4 (1981); pp. 395–6.
“Just For The Record”, Record Reviews, Soundboard. Vols. XXI–XXXIV (1994–97)
Biography
“John Schneider: Guitar Maverick,” Classical Guitar Magazine, No. 382 (Summer 2016), 32–35.
“John Schneider: 13 Questions,” Prepared Guitar Blog, December 20, 2015
Cooper, Colin. “John Schneider: Polymath,” Classical Guitar [London] Vol.2, No.6 (1984); pp.17–22.
Taylor, John. “The Well-Tempered Guitar,” Guitar [London] Vol.12, No.4; pp.11–13.
Jewanski, Jorg. “John Schneider: Die Reine Stimmung Klingt Viel Schoner,” Staccato Marz/Apr 1998, No.2.
Jewanski, Jorg. “John Schneider: Uber seine Radiosendungen mit Gitarremusik,” Staccato Mai/Juni 1998, No.3.
Josel, Seth. “John Schneider talks with Seth Josel about Tunings, Temperaments, and Other Matters,” Soundboard Vol XXX, No.2, 2004; pp. 73–81.
