Schneider, whose gracious stage personality is the opposite of Patch's, nevertheless manages to convey the composer through his own voice, which is exactly what all lasting music must be capable of sustaining, even in such unique works as Barstow and excerpts from Partch's journal, Bitter Music....impressively mastered Partch's instruments...performances lyrical and theatrical, emphasized the musical side of a composer too often known for his quirkiness
- Mark Swed, Los Angeles Times